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Panasonic Lumix GH7 Mirrorless Camera with 12-60mm f/2.8-4 Lens

SKU: DC-GH7LGA

Product Highlights

  • 25.2-megapixel BSI CMOS Sensor
  • Phase Hybrid AF
  • ProRes RAW HQ Internal Recording
  • 32-bit Float Recording (Optional DMW-XLR2 is required)
  • Unlimited 4:2:2 10-bit C4K/4K 60p/50p Video Recording Time
$3,949.00 (inc GST)
Regular price: $4,099.00

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Flagship Hybrid Camera for Professional Content Creation

Enhanced Content Quality

The LUMIX GH7's Phase Hybrid AF tracks subjects persistently, capturing them quickly and precisely. Its Dynamic Range Boost enables a wide dynamic range at all ISO sensitivity ranges.

Efficient Workflow

ProRes RAW HQ internal recording, 32-bit float format recording,* etc. can be performed on the camera body itself, making it possible to produce high-quality and high-efficiency content with minimal setup.

*Optional DMW-XLR2 is required.

Outstanding Reliability

Combines a compact body with a heat dissipation structure, enabling extended recording even when shooting at heavy loads (4:2:2 10-bit C4K/4K 60p/50p, ProRes RAW HQ).

Phase Hybrid AF

The most important thing with autofocus is to be dependable. In addition to contrast AF, the LUMIX GH7 offers the Phase Detection AF system, which dramatically improves subject tracking performance and metering technologies. The camera can capture the subject even in challenging scenes where multiple subjects are involved, delivering accuracy even in backlit or low-light environments.

Production of High-quality Content

The LUMIX GH7 incorporates a completely new image sensor. The new 25.2-megapixel BSI CMOS sensor delivers a richer tonal expression and improved AF performance through Phase Detection AF, helping you produce high-quality content.

Richer Tonal Expression

Dynamic Range Boost function acquires two types of images with a single exposure and synthesizes them in real-time to create composite images with rich tonal range even in scenes with significant luminance differences. With still images, it allows for richer expression of shadow tones in RAW data. With video, it enables 13+-stop V-Log/V-Gamut recording.* It achieves a wide dynamic range in all ISO sensitivity ranges.

*When shooting video over 60fps (including VFR), latitude will be 12+ stop. ･Dynamic Range Boost is not activated when shooting HFR/VFR video of 61fps or higher, or with SH burst shooting. Also not activated at shutter speeds slower than 1/15 during still image shooting, depending on the ISO. ･This function is applied automatically.

ProRes RAW HQ Internal Recording

5.7K 30p ProRes RAW HQ footage can be recorded on the camera body itself, giving you the freedom to capture the moment at the click of a button with minimal setup and no need for external devices. Improved gimbal compatibility also expands the range of expressions.･Recording is not possible on the SD card. ･Apple and ProRes are trademarks or registered trademarks of Apple Inc. in the United States and/or other countries.

Streamlined Workflow

World’s First 32-bit Float Recording*

When combined with the DMW-XLR2 (sold separately), the LUMIX GH7 delivers the world's first 32-bit float recording,* improving the quality and efficiency of the entire workflow. With its wide dynamic range, the 32-bit float format records more information, from quiet to loud sounds, eliminating the need for tedious sound level adjustments during audio recording.

*For an interchangeable lens digital camera, as of June 5th 2024. According to Panasonic's research. When used with the XLR microphone adaptor DMW-XLR2 (sold separately).

ARRI LogC3 Recording

By using DMW-SFU3A Software Upgrade Key (sold separately), users can use the ARRI LogC3*, which enables color matching with ARRI’s digital cinema cameras. The image processing of the ARRI LogC3 curve on LUMIX GH7 has been certified by ARRI for the implementation of this function. The options for Log recording, which provides rich color information and a wide dynamic range, have been expanded to include ARRI LogC3 in addition to the conventional V-Log, further improving LUMIX’s workflow compatibility.*ARRI LogC3 is a Log gamma developed by ARRI and used in ARRI digital cinema cameras. Please note: ALEXA 35 uses ARRI LogC4. 

*On the LUMIX GH7, ARRI LogC3 can be used for 10bit recording in Creative Video mode. ･ARRI is registered trademarks of Arnold & Richter Cine Technik GmbH & Co. Betriebs KG.

Unlimited 4:2:2 10-bit C4K/4K 60p/50p Video Recording Time

Offering 4:2:2 10-bit C4K/4K 60p/50p internal recording, the LUMIX GH7 delivers unlimited recording time* when used at the recommended operating temperature**. Ideal for small production teams and in demanding conditions where mobility and high-quality are a must. Also allows for simultaneous internal recording and external recording via HDMI output.

*Under the guaranteed operating environment. When using a battery. The recording time depends on the capacity of the battery and the recording media. 

**-10–40℃. ･Corresponding to 4K (4096×2160) as defined by Digital Cinema Initiatives (DCI). ･CFexpress card or an SD memory card with Video Speed Class 90 is required.

Collaborate Anytime, Anywhere

Native camera to cloud integration with Adobe’s Frame.io

With Frame.io Camera to Cloud, creator’s images and videos are automatically uploaded, backed up, shared, and worked on jointly via the cloud.･Not all features of Frame.io Camera to Cloud are guaranteed. ･Frame.io, the Frame.io logo, and Camera to Cloud are either registered trademarks or trademarks of Adobe in the United States and/or other countries.

Wireless/Wired Live Streaming

Choose your favorite streaming approach to share your latest in real time! For outdoor use, wireless live streaming (RTMP/RTMPS) is easy to set up with the LUMIX Sync app. For indoor use, highly stable wired live streaming (RTP/RTSP) is also available.

･Live streaming to the platforms that comply with RTMP/RTMPS is basically possible (Compatibility with all the platforms is not guaranteed.) There may be the cases where the live streaming is not possible when the service of the platform changes. For more information, please refer to the terms and conditions of the platform. ･Since the transmission speed of live streaming varies depending on the Internet environment, smartphone performance, etc., we recommend that you conduct a transmission test in advance. ･A commercially available USB ethernet adaptor is required to convert the DC-GH7's USB Type C terminal to a LAN terminal. Compatibilities of USB ethernet adapter: https://panasonic.jp/support/g...

Color Grading Straight Out of the Camera

REAL TIME LUT

LUTs can be applied to photos and videos on the camera body itself, allowing you to create photos and videos straight out of the camera. Supports ".VLT" and ".CUBE" file formats. By utilizing this feature, you can save time on the complicated post-editing process. In combination with the LUMIX Lab app, you can easily create your own LUTs and install them on the camera.

LUMIX Lab App

Pair the camera with your smartphone in three steps and transfer content seamlessly with ultra-fast Wi-Fi connection. You can also crop, adjust brightness, apply LUTs, etc., enabling simple editing for any social media platform to be done in a snap.

What's in the box?

  • 1 x Panasonic Lumix GH7 Mirrorless Camera
  • 1 x Panasonic DMW-BLK22 Lithium-Ion Battery (7.2V, 2200mAh)
  • 1 x Panasonic DMW-BTC15 Battery Charger
  • 1 x BNC Conversion Cable
  • 1 x Shoulder Strap
  • 1 x Body Cap
  • 1 x Eye Cup
  • 1 x Hot Shoe Cover
  • 1 x Flash Socket Cap
  • 1 x Panasonic Leica DG Vario-Elmarit 12-60mm f/2.8-4 ASPH. POWER O.I.S. Lens
  • 1 x Front Lens Cap
  • 1 x Panasonic Rear Lens Cap for Lumix G Lenses
  • 1 x Lens Hood
  • 1 x Lens Pouch
  • Type

  • Type

    Digital Single Lens Mirrorless camera

    Lens mount

    Micro Four Thirds mount

  • Image Sensor

  • Type

    BSI CMOS sensor (17.3 x 13.0 mm)

    Camera effective pixels / Total pixels

    Approx. 25.2 megapixels / Approx. 26.5 megapixels

    AR (Anti Reflection) coating

    Yes

    Aspect ratio / Color filter

    4:3 / Primary color filter

    Dust reduction system

    Image sensor shift type

  • Latitude

  • 13+ stops (V-Log) (Sensor output is 60fps or less)
    12+ stops (V-Log) (Sensor output is 61fps or higher)

  • Recording Still Images

  • Recording file format

    JPEG (DCF, Exif 3.0), RAW

    Aspect ratio

    4:3 / 3:2 / 16:9 / 1:1

    File size (Pixels)

    4:3

    5776x4336(L) / 4096x3072(M) / 2944x2208(S) / 1920 x 1440(XS) / 11552x8672(XL)* / 8192x6144(LL)* *High Resolution Mode.

    3:2

    5776x3848(L) / 4096x2728(M) / 2944x1960(S) / 1920x1280(XS) / 11552x7696(XL)* / 8192x5464(LL)* *High Resolution Mode.

    16:9

    5776x3248(L) / 4096x2304(M) / 2944x1656(S) / 1920x1080(XS) / 11552x6496(XL)* / 8192x4608(LL)* *High Resolution Mode.

    1:1

    4336x4336(L) / 3072x3072(M) / 2208x2208(S) / 1440x1440(XS) / 8672x8672(XL)* / 6144x6144(LL)* *High Resolution Mode.

    Image quality

    RAW / RAW+Fine / RAW+Standard / Fine / Standard (High Resolution mode: Combined / RAW / RAW+Fine / Fine)

    Color space

    sRGB, AdobeRGB

  • Video Recording

  • Recording file format

    MOV: H.264/MPEG-4 AVC, H.265/HEVC, Apple ProRes, Apple ProRes RAW
    MP4: H.264/MPEG-4 AVC, H.265/HEVC

    Audio format

    4ch Audio Recording: OFF

    MOV
    Linear format: LPCM (2ch stereo 48kHz/24-bit, 96kHz/24-bit*)
    Float format**: LPCM (2ch stereo 48kHz/32-bit, 96kHz/32-bit)
    *When attaching Φ3.5mm microphone or DMW-XLR2 (sold separately). **When attaching DMW-XLR2 (sold separately).
    MP4
    Linear format: AAC (2ch stereo 48kHz/16-bit)

    4ch Audio Recording: XLR*

    MOV
    Linear format: LPCM (4ch monaural 48kHz/24-bit)
    Float format: LPCM (4ch monaural 48kHz/32-bit)
    *When attaching DMW-XLR2 (sold separately).

    4ch Audio Recording: XLR*+Camera

    MOV
    Linear format: LPCM (4ch monaural 48kHz/24-bit, 96kHz/24-bit**)
    *When attaching DMW-XLR2 (sold separately). **When attaching Φ3.5mm microphone or DMW-XLR2 (sold separately).

    System frequency

    59.94Hz / 50.00Hz / 24.00Hz

    Image area of video

    FULL / PIXEL/PIXEL

    Log recording

    V-Log

    Proxy

    ON / OFF
    Proxy Rec Quality: H / M / L
    Real Time LUT (Proxy): ON / OFF
    *When the following functions are being used, proxy recording is not available: [MP4], [Rec Quality] exceeding a resolution of C4K, [Rec Quality] with [4:3] or [3:2] aspect ratio, [Rec Quality] with a high frame rate video, [HDMI RAW Data Output], and [Streaming].

    MOV (*¹) (*²) (*³) / 59.94Hz

    [5.8K] 5760x4320 (4:3)

    29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *Image Area of Video is set to FULL during this recording mode.

    [5.7K] 5728x3024 (17:9)

    59.94p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    47.95p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *Image Area of Video is set to FULL during this recording mode.

    [4.4K] 4352x3264 (4:3)

    59.94p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    47.95p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *Image Area of Video is set to PIXEL/PIXEL during this recording mode.

    [C4K] 4096x2160 / [4K] 3840x2160

    119.88p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**
    59.94p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    59.94p, 600Mbps (4:2:2 10-bit ALL-Intra (L)) (H.264/MPEG-4 AVC, LPCM)*
    59.94p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    59.94p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    59.94p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    47.95p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
    47.95p, 600Mbps (4:2:2 10-bit ALL-Intra (L)) (H.264/MPEG-4 AVC, LPCM)
    47.95p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
    47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    *Proxy video recording is available.
    **An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.

    [FHD] 1920x1080

    239.76p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**/***
    239.76p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)**/***
    239.76p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**/***
    119.88p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)***
    119.88p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)***
    119.88p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)***
    59.94p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    59.94p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    59.94p, 50Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    59.94i, 100Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
    59.94i, 50Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
    47.95p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
    47.95p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
    47.95p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    29.97p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    29.97p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    29.97p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    29.97p, 25Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    23.98p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    23.98p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    23.98p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    23.98p, 25Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    *Proxy video recording is available.
    **Image Area of Video is set to FULL during this recording mode.
    ***An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.

    MOV (*¹) (*²) (*³) / 50.00Hz

    [5.8K] 5760x4320 (4:3)

    25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *Image Area of Video is set to FULL during this recording mode.

    [5.7K] 5728x3024 (17:9)

    50.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *Image Area of Video is set to FULL during this recording mode.

    [4.4K] 4352x3264 (4:3)

    50.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *Image Area of Video is set to PIXEL/PIXEL during this recording mode.

    [C4K] 4096x2160 / [4K] 3840x2160

    100.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**
    50.00p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    50.00p, 600Mbps (4:2:2 10-bit ALL-Intra (L)) (H.264/MPEG-4 AVC, LPCM)*
    50.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    50.00p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    25.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    *Proxy video recording is available.
    **An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.

    [FHD] 1920x1080

    200.00p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**/***
    200.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)**/***
    200.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**/***
    100.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)***
    100.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)***
    100.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)***
    50.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    50.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    50.00p, 50Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    50.00i, 100Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
    50.00i, 50Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
    25.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    25.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    25.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    25.00p, 25Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    *Proxy video recording is available.
    **Image Area of Video is set to FULL during this recording mode.
    ***An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.

    MOV (*¹) (*²) (*³) / 24.00Hz

    [5.8K] 5760x4320 (4:3)

    24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *Image Area of Video is set to FULL during this recording mode.

    [5.7K] 5728x3024 (17:9)

    48.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *Image Area of Video is set to FULL during this recording mode.

    [4.4K] 4352x3264 (4:3)

    48.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *Image Area of Video is set to PIXEL/PIXEL during this recording mode.

    [C4K] 4096x2160 / [4K] 3840x2160

    120.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**
    24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    24.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    *Proxy video recording is available.
    **An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.

    [FHD] 1920x1080

    120.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**
    120.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)**
    120.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**
    24.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    24.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    24.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    24.00p, 25Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    *Proxy video recording is available.
    **An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.

    MP4 (*¹) (*²) / 59.94Hz

    [4K] 3840x2160

    59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
    29.97p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
    29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
    23.98p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
    23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)

    [FHD] 1920x1080

    59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
    29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
    23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)

    MP4 (*¹) (*²) / 50.00Hz

    [4K] 3840x2160

    50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
    25.00p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
    25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)

    [FHD] 1920x1080

    50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
    25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)

    MP4 (*¹) (*²) / 24.00Hz

    -

    ProRes (*¹) (*³) / 59.94Hz

    [5.7K] 5728x3024 (17:9)

    29.97p, 4.2Gps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**
    29.97p, 2.8Gps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**
    29.97p, 1.9Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
    29.97p, 1.3Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
    23.98p, 3.3Gps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**
    23.98p, 2.2Gps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**
    23.98p, 1.5Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
    23.98p, 1.0Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
    *Image Area of Video is set to FULL during this recording mode.
    **Software that supports Apple ProRes RAW is required to edit RAW video recorded.
    **A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.
    https://panasonic.jp/support/g...

    [C4K] 4096x2160

    59.94p, 4.2Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***
    59.94p, 2.8Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***
    59.94p, 1.9Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
    59.94p, 1.3Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
    29.97p, 2.1Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***
    29.97p, 1.4Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***
    29.97p, 972Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
    29.97p, 648Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
    23.98p, 1.7Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***
    23.98p, 1.1Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***
    23.98p, 778Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
    23.98p, 519Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
    *Proxy video recording is available.
    **Image Area of Video is set to PIXEL/PIXEL during this recording mode.
    ***Software that supports Apple ProRes RAW is required to edit RAW video recorded.
    ***A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.
    https://panasonic.jp/support/g...

    [FHD] 1920x1080

    59.94p, 454Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
    59.94p, 302Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
    29.97p, 227Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
    29.97p, 151Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
    23.98p, 181Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
    23.98p, 121Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
    *Proxy video recording is available.

    ProRes (*¹) (*³) / 50.00Hz

    [5.7K] 5728x3024 (17:9)

    25.00p, 3.5Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**
    25.00p, 2.3Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**
    25.00p, 1.6Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
    25.00p, 1.1Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
    *Image Area of Video is set to FULL during this recording mode.
    **Software that supports Apple ProRes RAW is required to edit RAW video recorded.
    **A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.
    https://panasonic.jp/support/g...

    [C4K] 4096x2160

    50.00p, 3.5Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***
    50.00p, 2.4Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***
    50.00p, 1.6Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
    50.00p, 1.1Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
    25.00p, 1.8Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***
    25.00p, 1.2Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***
    25.00p, 811Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
    25.00p, 541Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
    *Proxy video recording is available.
    **Image Area of Video is set to PIXEL/PIXEL during this recording mode.
    ***Software that supports Apple ProRes RAW is required to edit RAW video recorded.
    ***A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.
    https://panasonic.jp/support/g...

    [FHD] 1920x1080

    50.00p, 378Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
    50.00p, 252Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
    25.00p, 189Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
    25.00p, 126Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
    *Proxy video recording is available.

    ProRes (*¹) (*³) / 24.00Hz

    [5.7K] 5728x3024 (17:9)

    24.00p, 3.3Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**
    24.00p, 2.2Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**
    24.00p, 1.5Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
    24.00p, 1.0Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
    *Image Area of Video is set to FULL during this recording mode.
    **Software that supports Apple ProRes RAW is required to edit RAW video recorded.
    **A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.
    https://panasonic.jp/support/g...

    [C4K] 4096x2160

    24.00p, 1.7Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***
    24.00p, 1.1Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***
    24.00p, 779Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
    24.00p, 519Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
    *Proxy video recording is available.
    **Image Area of Video is set to PIXEL/PIXEL during this recording mode.
    ***Software that supports Apple ProRes RAW is required to edit RAW video recorded.
    ***A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.
    https://panasonic.jp/support/g...

    [FHD] 1920x1080

    24.00p, 182Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
    24.00p, 121Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
    *Proxy video recording is available.

  • Frame rates

  • MOV (*¹) (*²) / 59.94Hz

    [5.7K] 5728x3024 (17:9)

    29.97p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    23.98p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *Image Area of Video is set to FULL during this recording mode.

    [C4K] 4096x2160 / [4K] 3840x2160

    59.94p (Maximum output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    29.97p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
    29.97p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    23.98p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
    23.98p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.

    [FHD] 1920x1080

    59.94p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    59.94p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    29.97p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    29.97p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    23.98p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    23.98p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *Maximum output of sensor is 120fps when Image Area of Video is set to PIXEL/PIXEL.
    *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.

    MOV (*¹) (*²) / 50.00Hz

    [5.7K] 5728x3024 (17:9)

    25.00p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *Image Area of Video is set to FULL during this recording mode.

    [C4K] 4096x2160 / [4K] 3840x2160

    50.00p (Maximum output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    25.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
    25.00p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.

    [FHD] 1920x1080

    50.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    50.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    25.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    25.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *Maximum output of sensor is 100fps when Image Area of Video is set to PIXEL/PIXEL.
    *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.

    MOV (*¹) (*²) / 24.00Hz

    [5.7K] 5728x3024 (17:9)

    24.00p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *Image Area of Video is set to FULL during this recording mode.

    [C4K] 4096x2160 / [4K] 3840x2160

    24.00p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    24.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**　
    *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.
    **External USB-SSD recording.

    [FHD] 1920x1080

    24.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    24.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *Maximum output of sensor is 120fps when Image Area of Video is set to PIXEL/PIXEL.
    *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.

  • HDMI Raw Data Output

  • Compatible external devices

    Blackmagic Video Assist 5" 12G HDR, Blackmagic Video Assist 7" 12G HDR
    *DaVinci Resolve or DaVinci Resolve Studio is required to play back and DaVinci Resolve Studio to edit Blackmagic RAW data.
    *Please refer to the Blackmagic Design website for the information on the corresponding firmware version of Blackmagic Video Assist 5” 12G HDR and Blackmagic Video Assist 7” 12G HDR.
    *All functions may not be available depending on the situation.
    *When recording in C4K 120p/100p or 5.7K 60p/50p, constant bitrate 5:1 or less is recommended for SSD recording and 8:1 or less for SD card recording.

    ATOMOS devices "Ninja V" / "Ninja V+" / "Ninja" / "Ninja Ultra" / "Shogun" / "Shogun Ultra" / "Shogun Connect"
    *All functions may not be available depending on the situation.
    *Please check here for compatible firmware versions of external recorders.
    https://panasonic.jp/support/g...
    *"Ninja V" "Ninja" "Shogun" does not support some RAW video data.
    *Software that supports Apple ProRes RAW is required to edit RAW video recorded.
    *A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.
    https://panasonic.jp/support/g...

    Rec quality / NTSC (59.94Hz)

    [5.8K] 5760x4320 (4:3)

    29.97p, 12-bit (LPCM)*
    23.98p, 12-bit (LPCM)*
    *Image Area of Video is set to FULL during this recording mode.

    [5.7K] 5728x3024 (17:9)

    59.94p, 12-bit (LPCM)*
    29.97p, 12-bit (LPCM)*
    23.98p, 12-bit (LPCM)*
    *Image Area of Video is set to FULL during this recording mode.

    [4.4K] 4352x3264 (4:3)

    59.94p, 12-bit (LPCM)*
    *Image Area of Video is set to PIXEL/PIXEL during this recording mode.

    [C4K] 4096x2160 (17:9)

    119.88p, 12-bit (LPCM)*
    59.94p, 12-bit (LPCM)*
    29.97p, 12-bit (LPCM)*
    23.98p, 12-bit (LPCM)*
    *Image Area of Video is set to PIXEL/PIXEL during this recording mode.

    Rec quality / PAL (50.00Hz)

    [5.8K] 5760x4320 (4:3)

    25.00p, 12-bit (LPCM)*
    *Image Area of Video is set to FULL during this recording mode.

    [5.7K] 5728x3024 (17:9)

    50.00p, 12-bit (LPCM)*
    25.00p, 12-bit (LPCM)*
    *Image Area of Video is set to FULL during this recording mode.

    [4.4K] 4352x3264 (4:3)

    50.00p, 12-bit (LPCM)*
    *Image Area of Video is set to PIXEL/PIXEL during this recording mode.

    [C4K] 4096x2160 (17:9)

    100.00p, 12-bit (LPCM)*
    50.00p, 12-bit (LPCM)*
    25.00p, 12-bit (LPCM)*
    *Image Area of Video is set to PIXEL/PIXEL during this recording mode.

    Audio format

    4ch Audio Recording: OFF

    Linear format: LPCM (2ch stereo 48kHz/24-bit, 96kHz/24-bit*)
    Float format**: LPCM (2ch stereo 48kHz/32-bit, 96kHz/32-bit)
    *When attaching Φ3.5mm microphone or DMW-XLR2 (sold separately). **When attaching DMW-XLR2 (sold separately).

    4ch Audio Recording: XLR*

    Linear format: LPCM (4ch monaural 48kHz/24-bit)
    Float format: LPCM (4ch monaural 48kHz/32-bit)
    *When attaching DMW-XLR2 (sold separately).

    4ch Audio Recording: XLR*+Camera

    Linear format: LPCM (4ch monaural 48kHz/24-bit, 96kHz/24-bit**)
    *When attaching DMW-XLR2/XLR1 (sold separately). **When attaching Φ3.5mm microphone or DMW-XLR2 (sold separately).

  • External USB-SSD Recording

  • Yes (ON / OFF)

  • Streaming

  • Wi-Fi

    Protocol

    RTMP / RTMPS

    59.94Hz / [FHD] 1920x1080

    59.94p, 16Mbps* / 8Mbps (H.264) *Not selectable when RTMPS is set.
    29.97p, 6Mbps / 3Mbps (H.264)

    59.94Hz / [HD] 1280x720

    59.94p, 6Mbps (H.264)
    29.97p, 4Mbps (H.264)

    50.00Hz / [FHD] 1920x1080

    50.00p, 16Mbps* / 8Mbps (H.264) *Not selectable when RTMPS is set.
    25.00p, 6Mbps / 3Mbps (H.264)

    50.00Hz / [HD] 1280x720

    50.00p, 6Mbps (H.264)
    25.00p, 4Mbps (H.264)

    USB Tethering

    Protocol

    RTMP / RTMPS

    59.94Hz / [4K] 3840x2160

    29.97p, 12.5Mbps (H.264)

    59.94Hz / [FHD] 1920x1080

    59.94p, 16Mbps / 8Mbps (H.264)
    29.97p, 6Mbps / 3Mbps (H.264)

    59.94Hz / [HD] 1280x720

    59.94p, 6Mbps (H.264)
    29.97p, 4Mbps (H.264)

    50.00Hz / [4K] 3840x2160

    25.00, 12.5Mbps (H.264)

    50.00Hz / [FHD] 1920x1080

    50.00p, 16Mbps / 8Mbps (H.264)
    25.00p, 6Mbps / 3Mbps (H.264)

    50.00Hz / [HD] 1280x720

    50.00p, 6Mbps (H.264)
    25.00p, 4Mbps (H.264)

    Wired LAN

    Protocol

    RTP / RTSP

    59.94Hz / [4K] 3840x2160

    59.94p, 50Mbps / 25Mbps (H.265)*
    59.94p, 50Mbps / 25Mbps (H.264)*
    29.97p, 25Mbps / 12.5Mbps (H.265)
    29.97p, 25Mbps / 12.5Mbps (H.264)
    *When Image Area of Video is set to PIXEL/PIXEL.

    59.94Hz / [FHD] 1920x1080

    59.94p, 20Mbps / 16Mbps (H.265)
    59.94p, 16Mbps / 8Mbps (H.264)
    29.97p, 12Mbps / 6Mbps (H.265)
    29.97p, 6Mbps / 3Mbps (H.264)

    59.94Hz / [HD] 1280x720

    59.94p, 6Mbps (H.264)
    29.97p, 4Mbps (H.264)

    50.00Hz / [4K] 3840x2160

    50.00p, 50Mbps / 25Mbps (H.265)*
    50.00p, 50Mbps / 25Mbps (H.264)*
    25.00p, 25Mbps / 12.5Mbps (H.265)
    25.00p, 25Mbps / 12.5Mbps (H.264)
    *When Image Area of Video is set to PIXEL/PIXEL.

    50.00Hz / [FHD] 1920x1080

    50.00p, 20Mbps / 16Mbps (H.265)
    50.00p, 16Mbps / 8Mbps (H.264)
    25.00p, 12Mbps / 6Mbps (H.265)
    25.00p, 6Mbps / 3Mbps (H.264)

    50.00Hz / [HD] 1280x720

    50.00p, 6Mbps (H.264)
    25.00p, 4Mbps (H.264)

  • Viewfinder

  • Type

    OLED Live View Finder

    Pixels

    Approx. 3.68 million dots

    Field of view / Magnification

    Approx. 100% / Approx. 1.6x / 0.8x (35mm camera equivalent) with 50 mm lens at infinity; -1.0 m-1, when the aspect ratio is set to 4:3

    Eye point / Diopter adjustment

    Approx. 21 mm at infinity; -1.0 m-1 / -4.0 - +2.0 (dpt)

    Eye sensor

    Yes

    Display speed

    120fps / 60fps

  • Rear Monitor

  • Type

    TFT LCD monitor with static touch control

    Monitor size

    Tilt free-angle, 3.0-inch (7.6cm), 3:2 aspect

    Pixels

    Approx. 1.84 million dots

    Field of view

    Approx. 100%

  • Focus

  • Type

    Phase Detection AF system / Contrast AF system

    DFD technology

    Yes

    Focus mode

    AFS (Single) / AFC (Continuous) / MF

    AF mode

    Tracking / Full Area AF / Zone (Horizontal/Vertical) / Zone / 1-Area+ / 1-Area / Pinpoint
    *Automatic Detection can be turned ON to switch between Human / Animal / Car / Motorcycle / Train / Airplane. Except when Pinpoint is set.

    AF detective range

    EV -4 - 18 (F2.0, ISO100 equivalent, AFS)

    AF custom setting

    AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction

    AF assist light

    Yes

    AF lock

    Set the Fn button in custom menu to AF lock

    Focus ring control

    Nonlinear / Linear* (90°/ 120°/ 150°/ 180°/ 210°/ 240°/ 270°/ 300°/ 330°/ 360°/ 720°/ 1080°/ Maximum) *When a compatible lens is attached.

    Others

    AF-ON, AF-ON: Near Shift, AF-ON: Far Shift, Focus Limiter, Focus Peaking, 1-Area AF Moving Speed, AF Micro Adjustment, Continuous AF (during motion picture recording), Focus/Shutter Priority, Focus Switching for Vert/Hor, AF/AE Lock Hold, AF+MF, MF Assist, MF Guide, Focus Ring Lock, Show/Hide AF Mode, AF-Point Scope, Shutter AF, Half Press Shutter, Quick AF, Eye Sensor AF, Loop Focus Frame, Enlarged Live Display (Video), Touch Shutter, Touch AF/AE Function, Touch Pad AF, Lens Focus Resume

  • Exposure Control

  • Light metering system

    1,728-zone multi-pattern sensing system

    Light metering mode

    Multiple / Center Weighted / Spot / Highlight Weighted

    Metering range

    EV0-18 (F2.0 lens, ISO100 equivalent)

    Mode dial

    Program AE (P) / Aperture Priority AE (A) / Shutter Priority AE (S) / Manual Exposure (M) / Creative Video (P/A/S/M)* / Custom 1, 2, 3, 4 / Intelligent Auto
    *The same exposure operations as P/A/S/M mode is available.

    Exposure compensation

    1/3 EV step ±5EV (±3EV for motion picture)

    ISO sensitivity (Standard output sensitivity)

    Still image

    [Normal]
    Auto / 50 (Extended ISO) / 100-25600

    [V-Log]
    Auto / 125 (Extended ISO) / 500-12800

    *Switchable between 1/3 or 1 EV step.

    Motion picture

    [Normal]
    Sensor output is 60fps or less (Base ISO 100): Auto / 50 (Extended ISO) / 100-12800
    Sensor output is 61fps or higher (Base ISO 100): Auto / 50 (Extended ISO) / 100-3200 / 4000-12800 (Extended ISO)

    [V-Log]
    Sensor output is 60fps or less (Base ISO 500): Auto / 125-400 (Extended ISO) / 500-12800
    Sensor output is 61fps or higher (Base ISO 250): Auto / 125-200 (Extended ISO) / 250-3200 / 4000-12800 (Extended ISO)

    [Hybrid Log Gamma]
    Sensor output is 60fps or less (Base ISO 250): Auto / 250-12800
    Sensor output is 61fps or higher (Base ISO 250): Auto / 250-3200 / 4000-12800 (Extended ISO)

    *Switchable between 1/3 or 1 EV step.

    ISO Auto

    Still image

    [Normal]
    Minimum: 100-12800
    Max: Auto / 200-25600

    [V-Log]
    Minimum: 500-6400
    Max: Auto / 800-12800

    Motion picture

    [Normal]
    Minimum:
    Sensor output is 60fps or less: 100-6400
    Sensor output is 61fps or higher: 100-1600
    Max:
    Sensor output is 60fps or less: Auto / 200-12800
    Sensor output is 61fps or higher: Auto / 200-3200 / 6400 (Extended ISO)

    [V-Log]
    Minimum:
    Sensor output is 60fps or less: 500-6400
    Sensor output is 61fps or higher: 250-1600
    Max:
    Sensor output is 60fps or less: Auto / 800-12800
    Sensor output is 61fps or higher: Auto / 400-3200 / 6400 (Extended ISO)

    [Hybrid Log Gamma]
    Minimum:
    Sensor output is 60fps or less: 250-6400
    Sensor output is 61fps or higher: 250-1600
    Max:
    Sensor output is 60fps or less: Auto / 400-12800
    Sensor output is 61fps or higher: Auto / 400-3200 / 6400 (Extended ISO)

    Synchro scan

    Still image / Motion picture

    AE lock

    Set the Fn button in custom menu to AE lock

  • Image Stabilization

  • B.I.S. (5-axis / 7.5-stop*)
    *Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm (35mm camera equivalent f=120mm) when H-ES12060 is used.]

    Dual I.S. 2 (7.5-stop**)
    **Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=140mm (35mm camera equivalent f=280mm) when H-FSA14140 is used.]

  • White Balance

  • White balance

    AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4

    White balance adjustment

    Blue/Amber bias, Magenta/Green bias

    Color temperature setting

    2500-10000K in 100K

  • Shutter

  • Type

    Focal-plane shutter

    Shutter speed

    Still image: Bulb (Max. 30 minutes), 1/8,000 - 60
    Electronic front curtain shutter: Bulb (Max. 30 minutes), 1/2,000 - 60
    Electronic shutter: Bulb (Max. 60 sec), 1/32,000 - 60
    Motion picture: 1/25,000 - 1/25
    Creative Video M mode / MF mode: 1/25,000 - 1/8

    Self-timer

    10sec, 3 images / 2sec / 10sec / Custom Time

    Remote control

    Remote control by DMW-RS2 (sold separately)

    Silent mode / Shutter type

    Yes / Yes (Auto / Mechanical / Electronic front curtain / Electronic / Electronic+NR)

  • Bracket

  • AE bracket

    3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst

    Aperture bracket

    3, 5 or all positions

    Focus bracket

    Yes

    White balance bracket

    3 images in blue/amber axis or in magenta/green axis, color temperature setting

  • Shooting

  • Burst speed

    Mechanical shutter

    H: 14 frames/sec (AFS/MF), 10 frames/sec (AFC) (with Live View)
    M: 6 frames/sec (AFS/AFC/MF) (with Live View)
    L: 2 frames/sec (AFS/AFC/MF) (with Live View)

    Electronic front curtain shutter

    H: 14 frames/sec (AFS/MF), 9 frames/sec (AFC) (with Live View)
    M: 6 frames/sec (AFS/AFC/MF) (with Live View)
    L: 2 frames/sec (AFS/AFC/MF) (with Live View)

    Electronic shutter

    SH75: 75 frames/sec (AFS/MF)
    SH60: 60 frames/sec (AFS/AFC/MF)
    SH20: 20 frames/sec (AFS/AFC/MF)
    SH75 PRE: 75 frames/sec (AFS/MF)
    SH60 PRE: 60 frames/sec (AFS/AFC/MF)
    SH20 PRE: 20 frames/sec (AFS/AFC/MF)
    H: 14 frames/sec (AFS/MF), 9 frames/sec (AFC) (with Live View)
    M: 6 frames/sec (AFS/AFC/MF) (with Live View)
    L: 2 frames/sec (AFS/AFC/MF) (with Live View)

    Number of recordable images

    H/M/L*
    RAW+JPEG: More than 170 images**, More than 165 images***
    RAW: More than 215 images**, More than 200 images***
    JPEG: More than 260 images**, More than 250 images***

    SH
    RAW / RAW+JPEG : 190 images
    JPEG: 190 images***

    *Until the burst shooting speed slows. When recording is performed under the test conditions specified by Panasonic.
    **When using a card with CFexpress Type B
    ***When using a card with SD Speed Class with "UHS-II UHS Speed Class 3 (U3)".

  • Flash

  • Flash type

    TTL External Flash (sold separately)

    Flash mode

    Auto* / Auto/Red-eye Reduction* / Forced On / Forced On/Red-eye Reduction / Slow Sync. / Slow Sync./Red-eye Reduction / Forced Off *For iA only.

    Flash synchronization

    1st Curtain Sync, 2nd Curtain Sync.

    Flash output adjustment

    1/3EV step ±3EV

    Synchronization speed

    Less than 1/250 second

    Wireless control

    Yes (When using DMW-FL200L / FL360L / FL580L (sold separately)), Wireless Channel: 1ch/2ch/3ch/4ch

    Flash sync socket

    Yes

  • Crop Zoom

  • Still image / Motion picture

  • Color

  • Photo Style

    Photo Style

    Standard / Vivid / Natural / L. Classic Neo / Flat / Landscape / Portrait / Monochrome / L. Monochrome / L. Monochrome D / L. Monochrome S / LEICA Monochrome / Cinelike D2 / Cinelike V2 / Like709 / V-Log / REAL TIME LUT / Hybrid Log Gamma / My Photo Style 1-4 (5-10)*
    *Set to ON from Show/Hide Photo Style to select.

    Picture adjustment

    Contrast / Highlight / Shadow / Saturation / Color Tone / Hue / Filter Effect / Grain Effect / Color Noise / Sharpness / Noise Reduction / ISO / WB / LUT
    *Adjustable settings vary depending on the Photo Style mode.

    Filter

    Expressive / Retro / Old Days / High Key / Low Key / Sepia / Cross Process / Bleach Bypass

    LUT Library

    Supported file types: .vlt, .cube
    Vlog_709 / Set 1-39 (Set 1-3: Sample LUT)
    *REAL TIME LUT in Photo Style, Apply LUT in Fn button, Apply LUT in RAW Processing, LUT View Assist in Log View Assist, LUT can be applied from these settings.

  • Motion Picture Function

  • Time lapse shot

    Yes

    Stop motion animation

    Yes

    SS/Gain operation

    Shutter Duration/ISO / Angle/ISO / Shutter Duration/dB

    Luminance level

    8-bit: 0-255 / 16-235 / 16-255
    10-bit: 0‒1023 / 64‒940 / 64‒1023

    Master pedestal level

    31 steps

    Color bars / Test tone

    Yes (SMPTE / EBU / ARIB) / Yes

    LUT view assist

    Monitor / HDMI

    HLG view assist

    Monitor (MODE1 / MODE2 / OFF) / HDMI (AUTO / MODE1 / MODE2 / OFF)

    Anamorphic desqueeze display

    2.0x / 1.8x / 1.5x / 1.33x / 1.30x / OFF

    Wave form monitor / Vectorscope

    Selectable

    Knee control

    Yes (in Like709 mode)

    Other functions

    Red REC Frame Indicator, Streaming Blue Frame Indicator

  • Level Gauge

  • Yes

  • Function Button

  • REC

    Exposure Comp. / Sensitivity / White Balance / Photo Style / Apply LUT / Metering Mode / Aspect Ratio / Picture Quality / Picture Size / 1 Shot Spot Metering / Long Exposure NR / Min. Shutter Speed / 1 Shot RAW+JPG / i.Dynamic Range / Filter Effect / One Push AE / Touch AE / AWB Lock / Exposure Mode / Synchro Scan (Video) / AF Mode / AF Detection Setting / Detecting Subject / AF Custom Setting (Photo) / AF Custom Setting (Video) / Focus Limiter / Focus Limiter Range Set / Focus Peaking / Focus Peaking Sensitivity / Focus Frame Moving Speed / Focus Ring Lock / AE LOCK / AF LOCK / AF/AE LOCK / AF-ON / AF-ON: Near Shift / AF-ON: Far Shift / AF-Point Scope / Focus Area Set / Enlarged Live Display (Video) / Flash Mode / Flash Adjust. / Wireless Flash Setup / Drive Mode Setting / Bracketing / Silent Mode / Image Stabilizer / Shutter Type / Crop Zoom (Photo) / Live View Composite / Rec. File Format / Rec Quality / Rec Quality (My List) / Variable Frame Rate / Proxy Recording / Time Code Display / Audio Information / Sound Rec Level Disp. / Mute Sound Input / Sound Rec Level Adj. / Sound Rec Quality / Sound Rec Level Limiter / 4ch Audio Recording / XLR Mic Adaptor Setting / Sound Monitoring Channel / Image Stabilizer / E-Stabilization (Video) / Boost I.S. (Video) / Image Area of Video / Crop Zoom (Video) / Focus Transition / Live Cropping / Live Cropping Settings / Q.MENU / Rec/Playback Switch / Video Record / Video Record (Creative Video) / LVF/Monitor Switch / Dial Operation Switch / Preview / Preview Aperture Effect / Constant Preview / Level Gauge / Histogram / Luminance Spot Meter / Frame Marker / Photo Grid Line / Live View Boost / Monochrome Live View / Night Mode / LVF/Monitor Disp. Set / Video-Priority Display / Zebra Pattern / LUT View Assist (Monitor) / LUT View Assist (HDMI) / LUT Select / HLG View Assist (Monitor) / HLG View Assist (HDMI) / Sheer Overlay / I.S. Status Scope / WFM/Vector Scope / Anamorphic Desqueeze Display / Color Bars / Focus Ring Control / AF Micro Adjustment / Zoom Control / Step Zoom / Zoom Speed / Lens Information / Destination Card Slot / Streaming / REAL TIME LUT / Wi-Fi / Fan Mode / Save to Custom Mode / No Setting / Off (Disable Press and Hold) / Restore to Default

    PLAY

    Magnify from AF Point / LUT View Assist (Monitor) / HLG View Assist (Monitor) / Anamorphic Desqueeze Display / RAW Processing / Delete Single / Protect / Rating 1, 2, 3, 4, 5 / Copy / Rec/Playback Switch / LVF/Monitor Switch / Video Record / Video Record (Creative Video) / Night Mode / Card Slot Change / Sound Monitoring Channel (Play) / Wi-Fi / Fan Mode / Send Image (Smartphone) / LUT View Assist (HDMI) / HLG View Assist (HDMI) / No Setting / Off (Disable Press and Hold) / Restore to Default

  • Interface

  • USB

    USB Type-C® (USB 10Gbps)

    HDMI (*⁵)

    HDMI

    HDMI TypeA
    Audio: ON / OFF, MP4: 2ch, MOV: 2ch (When [4ch Mic Input] is set to OFF.), 4ch (When [4ch Mic Input] is set to ON.)

    Monitor-through

    4:2:2 10bit (When [Rec Quality] is set to [4:2:2 10bit] or [4:2:0 10bit].)
    4:2:2 8bit (When [Rec Quality] is set to [4:2:0 8bit].)
    4K/120p / 4K/100p
    Down Convert: Auto / C4K/4K / 1080p / 1080i / OFF

    Playback

    59.94Hz: 8K/30p* / C4K/120p / C4K/60p / C4K/30p / 4K/120p / 4K/60p / 4K/30p / 1080/120p / 1080p / 1080i / 720p** / 480p**
    50.00Hz: 8K/25p* / C4K/100p / C4K/50p / C4K/25p / 4K/100p / 4K/50p / 4K/25p / 1080/100p / 1080p / 1080i / 720p** / 576p**
    24.00Hz: 8K/24p* / C4K/120p / C4K/24p / 4K/120p / 4K/24p / 1080/120p / 1080p
    *Only for still image playback. **Only for playback.

    Remote input

    φ2.5mm

    Audio

    Build-in microphone

    Stereo
    Wind Noise Canceller: OFF / Standard / High

    External microphone / External audio device input

    φ3.5mm for external microphone / external audio device
    MIC (Plug-in Power) / MIC / LINE
    Wind Cut: OFF / Low / Standard / High *When attaching Φ3.5mm microphone.
    Special Mic: Stereo / Shotgun *When attaching DMW-MS2 (sold separately).

    XLR microphone

    Yes with DMW-XLR2 (sold separately)

    4ch mic input

    Yes with DMW-XLR2 (sold separately)

    Speaker

    Monaural

    Headphone output

    φ3.5mm

    Card slot

    Slot 1: CFexpress Card (CFexpress Type B)
    Slot 2: SD Memory Card / SDHC Memory Card* / SDXC Memory Card*
    *Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 90 standard SDXC Memory Cards.

  • Timecode I/O

  • TC IN/OUT

    Yes with BNC Converter Cable (bundled)

    Count up

    Rec Run / Free Run

    Time code mode

    Drop Frame / Non-Drop Frame (When system frequency [59.94Hz] is selected.)

    HDMI time code output

    ON / OFF

    External TC setting

    TC Synchronization / TC Output Reference

  • Fan Control

  • Auto1 / Auto2 / Fast / Normal / Slow / OFF* *OFF can be set when in iA/P/A/S/M mode.

  • Lamp

  • Tally Lamp (front/rear) / Card Access Light / Power Indicator / Charging Light/Network Connection Light

  • Wireless

  • Wi-Fi

    2.4GHz bands (STA/AP) (IEEE802.11b/g/n)
    5GHz bands (STA/AP) (IEEE 802.11a/n/ac)
    Security: WPA/WPA2/WPA3

    Bluetooth

    Bluetooth® v5.0 (Bluetooth Low Energy (BLE))

  • Dust and Splash Resistant

  • Yes.
    *Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water.

  • Power

  • Battery

    Li-ion Battery Pack (7.2V, 2200mAh, 16Wh) (bundled)
    USB power supply, USB power charging, USB power delivery

    Battery life (CIPA standard)

    When using CFexpress Card

    Approx. 330 images, 750 images (Power Save LVF mode*) with H-ES12060 / DMW-BLK22
    Approx. 350 images, 800 images (Power Save LVF mode*) with H-FS12060 / DMW-BLK22
    *Using a Nextorage CFexpress Type B card. Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec.

    When using SD memory card

    Approx. 360 images, 850 images (Power Save LVF mode*) with H-ES12060 / DMW-BLK22
    Approx. 380 images, 900 images (Power Save LVF mode*) with H-FS12060 / DMW-BLK22
    *Using a Nextorage SDXC memory card. Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec.

    When using external USB-SSD

    Approx. 280 images with H-ES12060 / DMW-BLK22
    Approx. 290 images with H-FS12060 / DMW-BLK22
    *Using a Samsung external SSD (T9_2TB). Under the test conditions specified by Panasonic based on CIPA standard.

    Continuous recordable time (Motion picture) (*¹)

    When using CFexpress Card

    MP4 [4K/60p]: Approx. 90 min with H-ES12060 / H-FS12060
    MP4 [FHD/60p]: Approx. 100 min with H-ES12060 / H-FS12060

    When using SD memory card

    MP4 [4K/60p]: Approx. 90 min with H-ES12060 / H-FS12060
    MP4 [FHD/60p]: Approx. 100 min with H-ES12060 / H-FS12060

    When using external USB-SSD

    MP4 [4K/60p]: Approx. 80 min with H-ES12060 / H-FS12060
    MP4 [FHD/60p]: Approx. 90 min with H-ES12060 / H-FS12060

    Actual recordable time (Motion picture) (*¹)

    When using CFexpress Card

    MP4 [4K/60p]: Approx. 45 min with H-ES12060 / H-FS12060
    MP4 [FHD/60p]: Approx. 50 min with H-ES12060 / H-FS12060

    When using SD memory card

    MP4 [4K/60p]: Approx. 45 min with H-ES12060 / H-FS12060
    MP4 [FHD/60p]: Approx. 50 min with H-ES12060 / H-FS12060

    When using external USB-SSD

    MP4 [4K/60p]: Approx. 40 min with H-ES12060 / H-FS12060
    MP4 [FHD/60p]: Approx. 45 min with H-ES12060 / H-FS12060

  • Dimensions

  • Approx. 138.4 x 100.3 x 99.6 mm / 5.45 x 3.95 x 3.92 inch (Body only, excluding protrusions)

    Approx. 138.4 x 100.3 x 142.0 mm / 5.45 x 3.95 x 5.59 inch (with H-FS12060, excluding protrusions)

    Approx. 138.4 x 100.3 x 157.0 mm / 5.45 x 3.95 x 6.18 inch (with H-ES12060, excluding protrusions)

  • Weight

  • Approx. 805g / 1.77 lb (Body, Hot Shoe Cover, Battery, SD Memory Card x 1) (excluding body cap)
    Approx. 721g / 1.59 lb (Body, Hot Shoe Cover) (excluding body cap)

  • Operating Environment

  • Operating temperature

    -10℃ to 40℃ (14℉ to 104℉)

    Operating humidity

    10%RH to 80％RH

  • Notes

  • (*1) About motion picture recording

    - The cards that can be used for recording vary depending on the motion pictures bit rate and format type.
    Motion pictures with 72Mbps or less: CFexpress card, SD memory card with SD Speed Class with Class 10 or Video Speed Class 10 or higher
    Motion pictures with 200Mbps or less: CFexpress card, SD memory card with UHS-I / UHS-II UHS Speed Class 3 (U3) or Video Speed Class 30 or higher
    Motion pictures with 400Mbps or less: CFexpress card, SD memory card with Video Speed Class 60 or higher
    Motion pictures with 600Mbps or less: CFexpress card, SD memory card with Video Speed Class 90
    Motion pictures with 800Mbps or more, variable frame rate with ALL-Intra, or ProRes: CFexpress card

    - A new file will be created to continue recording if the continuous recording time exceeds the following conditions.
    Motion pictures with less than 72Mbps: 30 minutes
    Motion pictures with 72Mbps or more: 3 hours 4 minutes

    - A new file will be created to continue recording if the file size exceeds the following conditions.
    [MP4] in [FHD]: 4GB
    [MP4] in [4K]: 96GB
    [MOV] in 600Mbps or less: 192GB
    [MOV] in 800Mbps: 640GB
    [ProRes] in [5.7K]: 640GB

    - If the resolution is higher than C4K, the frame rate is higher than 60p or set to ProRes, the camera may stop the recording to protect itself. Wait until the camera cools down.

    (*2) Hybrid Log Gamma is selectable in [4:2:2 10bit] or [4:2:0 10bit].

    (*3) High-res audio is selectable only when attaching Φ3.5mm microphone or DMW-XLR2 (sold separately).

    (*4) About AF
    - Automatic Detection is not available for High Frame Rate video shooting above 60p.
    - Tracking and Automatic Detection are not available when using HDMI cable or USB connection cable for High Frame Rate video shooting above 60p.

    (*5) To output motion pictures with 4K or higher, use a Premium High Speed HDMI cable (Type A - Type A plug).

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