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Atomos Sumo 19SE HDR Monitor, Recorder and Switcher

SKU: ATOMSUMSE1

Product Highlights

  • 1200nit HDR Touchscreen Covering DCI-P3 Color Gamut
  • Record in Apple ProRes RAW via SDI up to 6Kp30
  • 4 x HD ISO Switching & Recording + Program Record via 3G SDI Inputs (Level A only)
  • 10-Bit 4:2:2 Apple ProRes or Avid DNxHR at 4Kp60
  • 100 x 100 VESA Mount, 3/8” and 1/4”-20 Mount
$2,849.00 (inc GST)

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SUMO 19SE. See It All.

Proven. Reliable.

With a bright (1200nit), HDR touchscreen covering the DCI-P3 (P3) Color Gamut, the ability to record Apple ProResRAW up to 6Kp30, and a rugged and versatile design, the SUMO 19SE is the perfect addition to an on-set video village. With four independent inputs it can also be used to switch and record each ISO stream up to 1080p60 and has full-sized XLR connectors for professional audio workflows.

Download the FREE e-Book: Why Use an Atomos Monitor-Recorder here

Record up to 6Kp30 ProRes RAW

Unlock the true potential of SDI RAW cinema cameras with the Sumo 19SE. Preserve the pristine quality of the data from the camera sensor by recording in Apple ProRes RAW at up to 6Kp30, 4Kp60 DCI/UHD, and 2Kp240 DCI/HD, or record in CinemaDNG at up to 4Kp30 DCI. Sumo 19SE is compatible with the Sony FS series cameras, Canon C300MKII/C500, Panasonic EVA-1/Varicam LT, and more.

10-Bit ProRes and DNx up to 4Kp60

Video from any camera or digital video source can be captured via SDI or HDMI. Record up to 10-bit 4:2:2 in Apple ProRes or Avid DNxHR codecs at 4Kp60. With support for multiple inputs via SDI, the SUMO 19SE provides the ability to record up to 4 x inputs and also supports ProRes LT and DNxHD 36 for extended recording times.

High-Bright and HDR Monitoring

With 1200nit brightness, 19-inch, 1920 x 1080, and 10-bit processing all built into a rugged enclosure, the SUMO 19SE is at home in any location. SDI and HDMI i/o supports a wide range of inputs and provides signal cross conversion with 4K>HD down conversion options.

Live Quad-Channel HD Switching and Recording

Record up to four 1080p60 streams simultaneously (via 3G SDI Level A Only) as separate ISOs, as well as a fifth “program” channel of your switched feed, whilst cueing and switching in real-time. Display the resulting mixed output (via HDMI or SDI) live on set or use an HDMI to USB capture device to output the switched feed for live streaming. Switching is asynchronous, eliminating the need for expensive locked sources and allowing the use of more affordable cameras that do not support timecode/genlock inputs.

Two Stereo-Balanced XLR Inputs with 48V

The full-size XLR connectors with 48V phantom power allow you to connect two external microphones with balanced analog audio recording and monitoring. The SUMO 19SE also has dedicated meters, gain controls, and adjustments for frame delay on each channel. Mic or line-level audio can be seamlessly synchronized with embedded audio from HDMI and SDI sources.

What's in the box?

  • 1 x Atomos SUMO 19SE Recorder/Monitor
  • 1 x Empty Master Caddy II with Fixing Screws
  • 1 x SUMO 19 19" Power Supply
  • 1 x BattWing - Dual Battery Plate Mounting Bracket with 4 x Screws (Battery Plate Not Included)
  • 2 x Desktop Feet with 4 x 1/4" Mounting Screws
  • 1 x Quick Start Guide
Physical Specifications
  • Dimensions
  • 310mm (W) x 504mm (H) x 63mm (D)
  • Weight
  • 6.2kg
  • Mounting Method

  • Top: 4 x 1/4"-20 and 2 x 3/8"
    Bottom:     6 x 1/4"-20 and 3 x 3/8"
    Right:     4 x 1/4"-20 and 2 x 3/8"
    Left:     2 x 1/4"-20 and 1 x 3/8"

  • VESA Mount
  • 100 x 100
Environment
  • Operating Temperature
  • Up to 40 Degrees Celcius (Ambient)
Construction and Control
  • Cooling
  • Actively Controlled Fan and Heat Sink
  • Tally Light
  • Rear and Front
  • Touch Screen
  • Yes
  • On-Unit Buttons
  • Power Button - Power / Lock Screen (Multi-Function)
Power
  • Input Voltage
  • DC 12 - 16.8V
  • Power Consumption
  • 75W
  • Compatible Battery
  • V-Lock / Anton Bauer Gold Mount via XLR Terminal (optional mounting plates available), 95Wh+ Recommended
  • Voltage
  • 14.4V Nominal (Battery)
  • Battery Runtime

  • Record: Depends on Watt Hours Specification of Battery Used

    Monitor Only: Depends on Watt Hours Specification of Battery Used

  • Continuous Power
  • Dual Battery Input via Dedicated 4-Pin XLR
  • Power Input Connector
  • 1 x 4-Pin XLR (12 - 16.8V)
  • Dtap
  • via Optional D-Tap to 4-Pin XLR Cable
Display
  • Touchscreen
  • SuperAtom IPS panel (Capacitive Touch)
  • Size
  • 19"
  • Display Resolution
  • 1920 x 1200
  • Pixels Per Inch PPI
  • 120
  • Bit Depth
  • 10-Bit (8 + 2 FRC)
  • Backlight
  • Optically-Bonded Quantum Dot
  • Brightness
  • 1200nit +/- 10% (cdm2/nits)
  • Aspect Ratio
  • 16:9 Image Display
  • De-Interlace Mode
  • Yes
  • Color Gamut
  • DCI P3
  • Calibration
  • Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus
Color Pipeline
  • Gamma
  • Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-log, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm F log, PQ (HDR10), HLG, Nikon N-Log
  • Color Gamut
  • BT2020, DCI P3, DCI P3+, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, F-Gamut, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
  • 3D LUT Display
  • .Cube Format
  • 3D LUT Output
  • Loop Out
  • 3D LUT 50/50
  • Yes
  • Monitoring
  • Native / 709 / HLG / PQ / 3D LUT
  • HDR Output Conversion
  • HDR to HLG / PQ
Color Management
  • Calibration
  • Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus
  • Display Controls
  • Backlight, Lift, Gamma, Gain
  • AtomHDR
  • Built-In Technical Log to HDR EOTF
  • 3D LUTs
  • Display, Monitor and Output, Record, Load via SSD
  • Legalize
  • Full to Legal Conversion Available on Input
Video Input
  • HDMI
  • 1 x HDMI 2.0 4Kp60
  • HDMI RAW
  • No - HDMI Video Only
  • SDI
  • 4 x 3G SDI, with 2 x 12G SDI Backwards-Compatible, Auto-Detection
  • SDI RAW
  • Apple ProRes RAW up to 6Kp30
  • Bit Depth
  • 8 / 10 Bit Video / RAW up to 12 Bit
  • Video Chroma Subsampling
  • YCbCr 422
  • HDR
  • Yes, with Auto-Detection
Metadata
  • SDI
  • File Name from Arri, RED. RAW - white balance, Exposure Index, Shutter Speed / Angle, Iris F Stop, ISO, Gamma, Gamut
File-Naming
  • Standard
  • S/S/T & Rolling
  • SDI
  • Red, Arri
Video Output
  • HDMI
  • 1 x HDMI 2.0 4Kp60
  • SDI

  • Loop Out: 1 x 12G Backwards-Compatible, Auto-Detection. Level A and B Selectable.

    Play Out: 1 x 12G Backwards-Compatible, Auto-Detection. Level A and B Selectable.

  • Video Chroma Subsampling
  • 422
  • Bit Depth
  • 10 Bit Video / 12 Bit RAW
Web Streaming
  • USB UVC
  • Optional via ZATO CONNECT / USB Stick
Video Signal Conversion
  • Video Signal Conversion

  • HDMI to SDI: Yes

    SDI to HDMI: Yes - Video and RAW

Audio In/Out
  • Audio Quality
  • 24-Bit / 48kHz
  • Audio Codec
  • PCM
  • HDMI
  • 8ch 24-Bit, Input-Dependent
  • SDI
  • 12ch 24-Bit, Input-Dependent
  • Analog Audio

  • In: 2 x XLR

    Out: 2 x XLR

  • Speakers
  • 2 x 5W
  • Headphone Output
  • 3.5mm 2ch
Timecode Sync
  • Embedded
  • HDMI and SDI
  • Time of Day
  • Yes, Time and Date
  • LTC Timecode
  • LTC via BNC Input in Record Mode
  • Genlock
  • Genlock in Playback Mode
Supported Resolutions and Frame Rates
  • Resolution And Frame Rates

  • 4K DCI: up to 4Kp60

    4K UHD: up to 4Kp60

    2K DCI 2046 x 1080: up to 2Kp60

    FHD 1920 x 1080 Progressive: up to 1080p120

    FHD 1920 x 1080 PsF: Pulldown

    FHD 1920 x 1080 Interlaced: 1080i50 / 1080i60

    1280 x 720p: 60p

    6K RAW: up to 6Kp30 via SDI

    4K RAW: up to 4Kp60 via SDI

    2K RAW: up to 2Kp240 via SDI

Recording CODEC
  • Recording

  • CDNG: For SDI RAW Inputs Only

    Apple ProRes RAW: ProRes RAW, ProRes RAW HQ up to 12-bit 6Kp30 / 4Kp60

    Apple ProRes: HQ / 422 / LT up to 4Kp60

    Avid DNxHD: up to 1080p60

    Avid DNxHR: up to 4Kp60

Playback
  • Playback

  • Playlist: Yes, Create Custom Playlists from Full or Sub Clips

    Loop: Yes, with User-Customizable In / Out Markers

    CDNG: No

    Apple ProRes RAW: Yes, Recorded Clips with Linear PCM

    Apple ProRes: HQ / 422 / LT with Linear PCM

    Avid DNx: DNxHR / DNxHD with Linear PCM

Monitoring
  • Monitoring

  • SDR: Native, 709, LUT

    HDR: HLG, PQ Rec2020

    De-Interlace: Selectable Mode

Recording Functions
  • Recording Functions

  • Pre-Roll Record: Yes (HD 8s, 4K 2s) - Not Available in RAW

    ISO Record: 4 x ISO up to 1080p60 (3G SDI Level A Only)

    Switched Program Record: Yes, up to 1080p60

    Timelapse: Yes

Multi-Input / Switching
  • SDI A/B Toggle
  • Yes, Supports up to 12G SDI per Input
  • Dual Input Display
  • via Multi-ISO Input Mode
  • Multiple SDI Input
  • Up to 4 x up to 1080p60 (3G SDI Level A Only)
  • Multiview Display
  • via Multi-ISO Input Mode
  • Input Transitions
  • Auto or Manual XML Transition
  • Input Switching
  • Yes
Supported Media
  • Supported Media

  • Master Caddy I: No

    SSDmini: Yes (AtomX SSDmini Handle Required)

    CFast II: Not Supported

    File System: exFAT

    Interface: SATA 3

    Master Caddy III: Yes

On-Screen Tools
  • On Screen Tools

  • Waveform: 3 Sizes

    RGB Parade: 3 Sizes

    Vector Scope: 2 Sizes / Positions

    1 x Zoom: Yes, 1:1 Pixel-Mapping for 4K

    2 x Zoom: Yes

    Focus Peaking: Color Selected / Threshold Setting / Color / Mono / Edges Only

    False Color: With IRE Scale

    Zebra: Customisable

    Isolate Color Channel: Blue only

    Cine Frame Guides: 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3

    Social Frame Guides: 9:16, 1:1, 1.91:1, 4:5

    Safe Areas: SMPTE Frame Size - Action and Safe

    Grid Markers: 9-Grid

    Anamorphic Desqueeze: Display 1.25x, 1.33x, 1.5x, 1.8x and 2x

    Display Flip: Vertical

    False Color: With IRE Scale

Onboard Signal Processing
  • Onboard Signal Processing

  • 4K UHD Downscale for HD: Loop Out - 4K UHD to FHD

    DCI Crop: Loop Out - 17:9 to 16:9 Crop

    8K RAW to 4K Video Loop Out: Available On Loop Out

    I > P: 60i > 24p (3:2 Pulldown)

    PSF > P: 24/25/30pSF > 24/25/30p (2:2 Pulldown)

Remote Control
  • HDMI
  • Auto HDMI Trigger, Supported Protocols - Canon, Sony, Atomos Open Standard
  • SDI
  • SDI Trigger, Camera Selectable
  • Serial 2.5mm Jack
  • LANC Control and Calibration via Optional USB to Serial Cable
Cut & Tag
  • FCP XML
  • Cut Tag EDL and Multi-Cam with Transitions in FCP XML
Supported Applications
  • Supported Applications

  • XML: Apple Final Cut Pro

    Apple ProRes RAW: Apple Final Cut Pro, Adobe Premiere, Avid Media Composer, Grass Valley Edius, ASSIMILATE SCRATCH

    Video CODECS: All Applications that Support Apple ProRes and Avid DNx in .MOV Wrapper

Warranty
  • Warranty
  • 1 Year (Standard) / 3 Years (Extended)

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