Atomos 7" Shogun HDR Classic Cinema Monitor-Recorder-Switcher

SKU: SHG701

Product Highlights

  • 3000nit peak brightness HDR field reference monitor
  • 4 x HD-SDI input switching, allowing seamless transitions between live video streams
  • 4 x ISO and Program recording for individual input control and post-production flexibility
$1,480.00 (inc GST)

Quantity

7-inch HDR pro/cinema monitor-recorder-switcher

Designed for professionals who push boundaries with the quality of their videos, this 7-inch monitor-recorder-switcher enhances the image captured by any HDMI or SDI camera to new levels. With a 1,000,000:1 contrast ratio and a peak brightness of 3000 nits, Shogun Classic is the ultimate all-rounder production tool.

Shogun Classic gives you the high production values of 4K HDR, and complete control of every aspect of your production, on-set and in post. Meticulously monitor every pixel of SDR or HDR as it’s captured and view it in glorious 10-bit HDR.

HDR & SDR

Perfect exposure and color


Fine tune every detail, while you shoot

A high-quality viewing experience gives you complete confidence to make educated on-set decisions.

With Shogun Classic’s dynamic zoned backlight, blacks are deeper, whites are brighter, and the details of highlights are crystal clear. Shogun Classic gives you the control to maximise HDR exposure while feeling comfortable with SDR finishing in post.

Simple monitoring tools put every detail of the image within your control. From custom 3D LUTs, false color profiles, adjustable focus peaking and movable 1:1 and 2:1 pixel magnification. In addition, RGB parade and vectorscopes ensure perfect colors on your calibrated monitor

SWITCH UP

Multi-camera touchscreen switching

Take full advantage of 4 x SDI inputs and let Shogun Classic step into the role of a portable, quadview live switcher and recorder on your multi-camera shoots. Record up to four 1080p60 streams simultaneously as separate ISOs while cueing and switching in real time with a simple touch of the screen.

Shogun Classic can also record a fifth ‘program’ channel of your switched feed. Display the resulting mixed output (via HDMI or SDI) live on set. You can even output the switched feed for live streaming. Switching is completely asynchronous, eliminating the need for expensive locked sources and allowing the use of more affordable cameras.

COMPATIBILITY

At home on practically any camera

Use your DSLR or mirrorless camera via HDMI to get up to 4Kp60 Apple ProRes and AVID DNx codecs for easy editing and archival quality. Add it to a high-end ARRI, RED or Sony Venice and you’ll get accurate HDR monitoring and all the tools you need to get your job done.

HDR monitoring for clients and creatives

With Shogun Classic you can view what you’ve captured before filming has even wrapped. Deliver content via live HDMI out, in real-time, from any HDR camera to a compatible HDR TV or monitor. Shogun Classic ensures you see an accurate representation of your video at maximum brightness and color detail. Use this accurate reference to adjust exposure and lighting accurately for modern TVs. This not only gives the crew more confidence in what they’re capturing but also speeds up the finishing process.

What's in the box?

  • 1 x Atomos 7" Shogun HDR Classic Cinema Monitor-Recorder-Switcher
  • 1 x MasterCaddy II
  • 1 x 12V Power Supply
  • 1 x Carry Case
  • Physical
  • Dimensions (W x H x D mm)

    214mm x 127mm x 45mm / 8.43” x 5.00” x 1.77”

    Weight

    738g / 26oz

    Mounting Points

    1/4”-20 screw mount. 1x top and 1x bottom

  • Environmental
  • Ambient operating temperature

    Up to 40 Degrees Celsius

  • Construction
  • Body

    Glass fiber-reinforced polycarbonate

    Cooling

    Heat Sink + Actively controlled Fan

    Touch Screen

    Capacitive Touch

  • Power
  • Input Voltage

    6.2V to 16.8V

    Compatible Batteries

    2x NP-F / L-Series batteries and supporting accessories

    DC in Connector

    1 x DC in (6.2 – 16.8V)

  • Display
  • Display Panel

    IPS panel (capacitive touch)

    Size

    7.2″

    Resolution

    1920 x 1200 (1920 x 1080 Image Display)

    PPI

    325

    Bit Depth

    10-Bit (8+2 FRC)

    Backlight Type

    Zone Backlight (Full-Array Local Dimming)

    Brightness (cd/m² / nits)

    3000nit (+/- 10%)

    Aspect ratio

    16:10 native resolution 1920 x 1200

    Color Gamut

    Up to Wide color gamut (105% DCI-P3)

    Calibration Support

    ATOMOS Calibrator with Display Pro HL and Display Plus HL

  • Color Pipeline
  • Gamma

    Sony SLog/SLog2/SLog3, Canon CLog/CLog2/CLog3, ARRI Log CEI160/Log CEI200/Log CEI250/Log CEI320/Log CEI400/Log CEI500/Log CEI640/Log CEI800/Log CEI1000/Log CEI1280/Log CEI1600, Panasonic Vlog, JVC JLog1, RED Log3G10/RED LogFilm, FujiFilm F-log, Nikon N-Log, PQ10k, HLG

    Gamut

    Sony SGamut/SGamut3/SGamut3.cine, Canon Cinema/DCI P3/DCI P3+, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709/BT.2020, JVC, RED WideGamut/RED DragonColor/DragonColor2/RED Color2/RED Color3/RED Color4

    3D LUT Display

    3D LUT (.cube format)

    Monitoring Modes

    Native / 709 / HLG / PQ / 3D LUT

    HDR Output Conversion

    Camera Log to HLG / PQ

  • Color Management
  • Calibration

    Atomos Calibrator with Display Pro HL and Display Plus HL

    AtomHDR

    Yes

    3D LUTs

    Yes

    Legalize

    Full to Legal Range Conversion available via Input Menu

  • Video Input
  • HDMI

    HDMI 1 x HDMI (2.0)

    SDI

    Quad-Link 3G SDI with 2 x 12G SDI (backward compatible)

    Bit Depth

    8/10-Bit for Video

    Video Chroma Subsampling

    YCbCr 4:2:0 & 4:2:2

    HDR

    HDMI Auto Detection

  • Video Output
  • HDMI

    1 x HDMI (2.0)

    SDI Loop / Play Out

    2 x 12G SDI (backward compatible)

    HDR

    Yes with auto-detection

  • Video Signal Conversion
  • HDMI to SDI

    Supported

    SDI to HDMI

    Supported

  • Audio In/Out
  • Audio Quality

    24-Bit / 48kHz

    Audio Codec

    PCM

    HDMI

    2 or 8ch 24-Bit, Input dependent

    SDI

    12ch 48kHz 24-Bit

    Analog Audio In

    Via optional 2 in 2 out XLR cable

    Analogue Audio Out / Headphone Jack

    3.5mm Jack

    Audio Input Delay

    Frame Delay on Analog Input (applied to recorded files)

  • Timecode Sync
  • HDMI Embedded

    Supported

    SDI Embedded

    Supported

    Time of Day

    Supported

    LTC

    via full-sized BNC SYNC Port

    Wireless SYNC

    Connect an Atomos UltraSync One to the full-sized BNC SYNC Port

  • Resolution And Frame Rates
  • 4K DCI

    up to 4Kp60

    4K UHD

    up to UHDp60 via HDMI and SDI

    2K DCI 2048 x 1080

    up to 2Kp60 via SDI

    FHD 1920 x 1080 Progressive

    up to 1080p120 via SDI

    FHD 1920 x 1080 PsF

    Only via Pulldown to Progressive

    FHD 1920 x 1080 Interlaced

    1080i50 / 1080i60 via HDMI or SDI

    1280 x 720p

    up to 720p60

  • Recording Codecs
  • Apple ProRes

    HQ, 422, LT

    Avid DNxHD

    220x, 220, 145, 36 (.MOV Wrapper)

    Avid DNxHR

    HQX, HQ, SQ, LB (.MOV Wrapper)

  • Recording Functions
  • Pre-roll Recording

    8s HD / 4K 2s

    Timelapse

    Supported

  • Playback
  • Playlist

    Selected Clips, Favorites, or Combined

    Loop

    Supported, with user-customizable In / Out Markers

    Apple ProRes

    HQ, 422, LT (Linear PCM Audio only)

    Avid DNx

    DNxHD: 220x, 220, 145, 36 – DNxHR HQX, HQ, SQ, LB (Linear PCM Audio only)

  • Supported Media
  • Master Caddy I

    Not Supported

    Master Caddy II

    Supported

    Master Caddy III

    Supported

    SSDmini

    Supported

    File System

    exFAT

    Interface

    SATA 3.0

  • On Screen Tools
  • Waveform

    3 Sizes – Adjustable Opacity & Brightness

    RGB Parade

    3 Sizes – Adjustable Opacity & Brightness

    Vector Scope

    2 Sizes – Adjustable Opacity & Brightness

    1 x Zoom

    Tap to Zoom

    2 x Zoom

    Tap to Zoom

    Focus Peaking

    3 Modes (Color, Black & White, Outline) with adjustable Outline Color & Peaking Intensity

    Zebra

    Adjustable Threshold (50% to 105%)

    Isolate Color Channel

    Blue Only

    Cine Frame Guides

    6 Presets

    Social Frame Guides

    4 Presets

    Safe Areas

    SMPTE Safe Title Area – 93% & 90%

    Grid Markers

    9 Grid

    Anamorphic Desqueeze

    2x, 1.8x, 1.6x, 1.5x, 1.33x, 1.25x

    Display Flip

    Vertical

    Colorized Exposure

    Atomos False Color

  • Signal Processing
  • 4K UHD Downscale for HD

    Loop-out and playback

    DCI Crop

    Available on loop-out

    Interlaced to Progressive

    2:2 & 3:2 Pulldown

    PsF to Progressive

    2:2 & 3:2 Pulldown

  • Remote Control
  • HDMI

    Auto HDMI Trigger Supported Protocols – Dolby Vision, Canon, Sony, Atomos Open Standard

    SDI

    SDI trigger camera selectable

    Serial 2.5mm Jack

    Start & Stop Recording via compatible LANC Remotes

  • Cut & Tag
  • FCP XML

    Up to 10 Tags supported for each Clip

  • Supported Applications
  • XML

    Apple Final Cut Pro (.fcpxml)

    Video Codecs

    All NLE applications that support Apple ProRes and Avid DNx in an .MOV Wrapper

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